Six Key Steps to Produce a Book

Writing Tip #12:
Six key steps to jump-start the production of your self-published book
(updated 6/4/2025)

Image

Don’t wait until the 11th hour to take care of book production details!
Photo: iStockphoto.com

So, you wrote your book, a professional edited it, and you’re ready to start the self-publishing process. But where do you start? What should you include? How do you cover yourself legally?

I self-published my first book Rhythms & Muse through CreateSpace (an Amazon company), but it took me years of research—online searches; conference attendance; and asking questions of other writers, editors and book consultants—to narrow down everything needed to actually get the book into printed form. I’m sharing my research here to make it easier for you, so you don’t have to spend all that time. I wish someone had done it for me, so I’m paying it forward.

To jump-start you, follow these six critical steps in the publishing process, and use the resources I provide as a starting point:

  1. Choose a virtual author’s assistant, if you want help
  2. Obtain an ISBN number
  3. Obtain a bar code
  4. Obtain a Library of Congress card number
  5. Find out if your content is legal
  6. Decide if you want to copyright your work

1. Decide if you want support from a virtual author’s assistant so you don’t have to do everything yourself.

This is someone who will do the legwork for the following few steps, and more. From my experience, you should expect to pay at least $65/hour for the services of a VAA. Because my novel included so much research on song permissions and royalties for lyrics, my quote from a VAA amounted to about $3,500 in 2011. Standard novels without much legal research would probably cost much less.

A great resource to learn more about this: Jan B. King’s VAA Web site.

2. Obtain an International Standard Book Number (ISBN).*

The Bowker company sells ISBNs. A unique ISBN is required for each book format you use (hardcover, softcover, e-book, audio book, etc.)  One costs about $125. You may also buy blocks of 10 numbers for $295, a great value if you’re planning to produce your book in more than one format.*

3. Obtain a bar code.*

Bar codes are required, and are produced along with the ISBN number you purchase from Bowker. This small image encrypts the cost (which you’ll need to provide), ISBN, and other information about each individual book. Bowker will provide both an ISBN-10 and an ISBN-13 number. (An ISBN-13 is based on the ISBN-10, but with the prefix 978.)

* Note: Steps 2 and 3 are available for free when publishing through KDP/Amazon, and some other print-on-demand publishers. I know many authors who happily use KDP, which enables do-it-yourself production and print-on-demand (POD) for books, CDs, DVDs, MP3 files, video, and more). Plus, they offer a very affordable broad distribution system.]

Free ISBNs are owned by the POD outlet so I recommend you buy your own for each version of a book you produce (ebook, paperback, hardback, KDP, IngramSpark, local printer, etc.)

4. Obtain a Library of Congress Control Number (LCCN).

This is a unique number assigned to each Library of Congress catalog record (book). You need only acquire an LCCN if you want your book available in libraries. LCCNs are free, but you must open an account and apply for one, which takes about two weeks. For more details, visit the LCCN sign-in page.

5. Obtain legal permissions, and licenses (for which you’ll pay royalties).

If you plan to use others’ works in your book—like quotes, lyrics, excerpts, and such—you must do three things to avoid legal issues:

  1. Identify if something is currently in the public domain
  2. Ask permission
  3. Pay the creator

I highly recommend talking with a copyright lawyer like Kevin Keener at Keener McPhail, LLC to make sure you’re in the clear using someone else’s words, images or other creative works.

6. Decide if you want to officially copyright your work.

This is optional, as anything you create is technically your copyrighted material already. But, if you’re paranoid about ownership, you can officially copyright the work through the U.S. Copyright Office. This costs $65 for a literary work.

These six steps serve as a good starting points. For my next blog entry, I plan to blog talk about design options for book production.

In the meantime, any other tips you’d care to share with other authors about the production of their books?

…………………..

Write on!
Ann Narcisian Videan
Write • Edit • Self-publish • Word-of-mouth
avidean@videanunlimited.com

Find your Noble Fae name

Noel Stone, newly Noble Fae, musician, and sometime sheep shearer. Image by John Taylor. ©2013 VUPublishing

Noel Stone, newly Noble Fae, musician, and sometime sheep shearer. Image by John Taylor. ©2013 VUPublishing

The Noble Fae, or “Goodies,” in my pending Song of the Ocarina novel, are based on geographical features and natural elements. If you were a character in my book, what name might you have? Use the chart below to select your good faerie name.

Use the first letter of your first name, for either a guy or a gal, then use the first letter of your last name. Example: As a gal with a first name starting  with A, my Noble Fae first name is Raindrop. My last name starts with V, so my so my Noble Fae surname is Islander. Hello, Raindrop Islander!

If you haven’t already, from my recent post, you can also select your Dark Fae name, based on “bad boy” and “tough chick” rock stars.

Can you come up with a better Noble Fae name yourself? Please share.

GUYS GALS SURNAME

A  Baye
B  Forrest

C  Layke

D  O’Sean

E  River

F  Cliff

G  Dune

H  Guyser

I  Reefe

J  Volc

K  Sonny

L  Leif

M Arc

N  Branch

O  Steele

P  Bronze

Q  Eddy

R  Rock

S  Bridge

T  Sleet

U  Knyt

V  Legend

W Glenn

X  Stoney

Y  Noel

Z  Tundra

A  Raindrop
B  Val’ey

C  Dhay

D  B’rook

E  Lark

F  Delta

G  Fern

H  Mesa

I   Gaea

J  Summer

K  Meridian

L  Onyx

M Rayne

N  Tweet

O  Marigold

P  Penny

Q  Silver

R  Trea

S  Faye

T  Rosie

U  Daisy

V  Creeke

W  Twigette

X  Lillie

Y  Obsidiana

Z  Pehtala

A  Derrickson
B  Wattyr

C  Seasonaire

D  Vale

E  Moonegrove

F  Plantfrond

G  Rhodium

H  Hurricane

I  Ironspring

J  Tigerseye

K  Whirlwind

L  Woodside

M Rockforest

N  Broadgulf

O  Dewcove

P  Meadow

Q  Waterfall

R  Streamgurgle

S  Pondeglow

T  Windish

U  Pond

V  Islander

W Sandhill

X  Desertside

Y  Glowcave

Z  Beacher

Author Publishing Options: 2 Starting Points

Writing Tip #11:
Two high-level considerations about traditional publishing vs. self-publishing

This article provides two initial decisions you must make to decide the best way to introduce your book into the market.

First,  know your manuscript and research possible publishers. Be clear what kinds of material potential publishers print. Does your story fit? Will you need an agent? (Some publishers will not consider your manuscript without one.) They also require you to follow very specific guidelines when submitting manuscripts and otherwise dealing with them.

Luckily, you can find out everything you need to know about the writing marketplace — not only for traditional and other publishers, but for magazine articles, greeting card companies, and more —  in the Writer’s Market publications available online, at libraries and in book stores.

If you do decide to pursue an agent and traditional publishing, check out individual agents, their histories, success rates and more at Agent Query. Writer’s Market provides a guide specific to literary agents, as well.

I decided to self-publish my first novel partly because agents I approached didn't have a good system for incorporating its music "soundtrack."

I decided to self-publish my first novel partly because agents I approached didn’t have a good system for incorporating its music “soundtrack.”

Second, armed with the above information, decide if you want to publish traditionally or self-publish. Pros and cons:

  • Traditional:
    • You have a team so you don’t have to do it all yourself
    • Offers some financial support
    • Less ROI
    • Less control
    • You still do most of the marketing
  • Self:
    • You do it all yourself
    • Self-funded
    • More ROI
    • Nearly full control
    • You do all the marketing

    P.S. The decision to publish traditionally or by yourself involves a lot of nuances and choices. If you need additional input, ask a question in the comments below to see what others suggest.

    …………………..

  • Write on!
    Ann Narcisian Videan
    Write • Edit • Self-publish • Word-of-mouth

Secrets to choosing the perfect book marketing, ALWAYS

You’ve written and published your book. Now you must sell it. But how?

At the next authors’ Alliance for Literary Writers, Authors & Yabbering Scribes (ALWAYS) gathering, we’ll discuss this overwhelming topic with best-selling author and publicity guru Raleigh Pinskey.

Standing in front of shelves lined with Celestial Seasonings teas is very similar to standing in front of shelves (or Web pages) filled with book publicity options. Which do you choose to get the best bang for your book? How do you make yours stand out? Publicity, is one answer. This topic will be addressed at our August 2013 authors' ALWAYS gathering. Photo: @2013 ANVidean

Standing in front of shelves lined with myriad Celestial Seasonings teas is very similar to standing in front of shelves (or Web pages) filled with book publicity options.
Which do you choose to get the best bang for your book?
Photo: @2013 ANVidean

When:
Thurs. Aug. 15, 2013
11:30 a.m.–1 p.m.

Where:
Tea Infusion
2000 E. Rio Salado Pkwy.
Tempe, AZ 85281-4927
(480) 967-1141

Cost:
A writing tip, and your own lunch.

RSVP:
PLEASE show the consideration of reserving your spot at the table by RSVPing through the “Join” link on our Facebook page or contacting Ann Videan, avidean@videanunlimited.com.

If you’ve RSVP’d, PLEASE show up. If you run into a conflict later, please let me know before the event so I can make the necessary adjustments for the group. Cheers!
…………………………………………………………….

ABOUT ALWAYS
• Need contacts to help your writing?
• Want advice about your writing?
• Like to hang with other cool writers?
The Alliance for Literary Writers, Authors & Yabbering Scribes (ALWAYS) is an informal group of established fiction and nonfiction writers in the Phoenix area who want to support each other’s work, share ideas and best practices, and just discuss writing topics. I’ve led this group since 2006.
Any established writer can connect with us online through our ALWAYS Facebook page, get listed in our directory of writers on our ALWAYS LinkedIn page, or you can meet with us in person at a lunch meeting. We’d love to have any experienced writer join us at our next meeting … anyone who spends a significant part of his/her week writing, and wants to rub elbows with other writers.

Catchy writing requires a fresh reader who is not YOU

Writing tip #10:
Catchy writing requires a fresh reader who is not YOU

I don’t care if you wrote 27 books, publish multiple corporate newsletters every month, or even edit others’ words. You cannot edit your own writing.

NO EXCEPTIONS! (Yes, that’s me stepping up on my soapbox and yelling.)

P1000845

@2011 CEVidean

Fresh eyes, peeps. That’s what it’s all about.

When you write, your brain repeatedly works through  messages the same way, and tends to gloss over words, phrases and ideas already “set” in your mind. It’s a subjective process. Someone else — and, preferably, a number of someone elses — can take a look at those same words, phrases and ideas and see something completely different. They provide a fresh, objective viewpoint.

Two quick examples:

• Writing a 68-page, four color, tabloid RealTime news magazine for computer resellers every two weeks required at least five sets of eyes on our team. Invariably, the designers would see mistakes the writer/editors missed, and vice versa.

• The professional editor of my initial Rhythms & Muse manuscript pointed out that I did not include any current-day scenes with my hero anywhere in the first half of the book. What? I couldn’t belief my oversight. Her input contributed to creating a much more complete, seamless, self-published novel, and helped make it interesting enough to rate almost all 5-star reviews on Amazon.

Sources of “other eyes,” though your #1 choice should always involve a professional editor:

  • A co-worker in your marketing department
  • Several fellow authors or editors (beta readers)
  • A critique partner or group
  • NOT solely your mother or good friends, even if they are avid readers.

OK, so did I make my point? You are not your own best editor!!!
Thank you. (I can step down off my soapbox now.]

Write on!
Ann Narcisian Videan
Write • Edit • Self-publish • Word-of-mouth

P.S.  How do you get input on your writing?

Find your Dark Fae name

Delfaerune Rhapsody antagonist Mikk Stone. Can you guess what rock star's name played muse for my antagonist's identity? Comment below.

Delfaerune Rhapsody antagonist Mikk Stone. Can you guess what rock star’s name played muse for my antagonist’s identity? Comment below.

For my pending Song of the Ocarina novel, I picked Dark Fae character names based on famous, and even some burned-out, rock and rollers. Think long hair, studded black leathers, tattoos and piercings.

Use the first letter of your first name, for either a guy or a gal, then use the first letter of your last name.

Example:
As a gal, my first name starts with A, so my Dark Fae first name is Jett.
My last name starts with V, so my so my Dark Fae surname is Rotten.
That makes me Jett Rotten.

GUYS GALS SURNAME
A       Motorhead

B       Bowie

C       Davyd Lee

D       Vynce

E       Jym

F       Skidd

G       Iggie

H       Mikk

I        Ronney

J       Keyth

K       Stevinn

L       Blackie

M      Chrys

N       Alyiss

O       Myke

P       Kert

Q       Eddy

R       Black

S       Axyl

T       Ozzy

U       Iron

V       Chryss

W      Elvish

X       Def

Y       Phyl

Z       Motley

A       Jett

B       Nikki

C       Phair

D       Rhiki

E       Byorc

F       Siouxsie

G       Thyn Lizzy

H       Indigo

I        Boney

J       Jewyl

K       Sherr

L       Zola

M      Runaway

N       Janys

O       Inez

P       Tyna

Q       Mad Donna

R       Jhoan

S       Lyz

T       Cass

U       Exene

V       Chryssie

W      Shinayde

X       Queen

Y       Alanys

Z       Motley

A       Morryson

B       Joplyn

C       Hendryx

D       Moon

E       Lawless

F       Winehouse

G       Crue

H       Pretender

I        Hynde

J       Osbourne

K       Banshee

L       Maiden

M      Kreeper

N       Wild

O       Whitesnake

P       Cyclone

Q       Guns

R       Thorne

S       Ness

T       Leeroth

U       Sabbath

V       Rotten

W      Distortion

X       Ratt

Y       Sixx

Z       Poison

Can you come up with a better Dark Fae name yourself? Please share.

Help create Roshambo hand symbols for NZ fae characters

Image courtesy of Kittikun Atsawintarangkul at FreeDigitalPhotos.net

Image courtesy of Kittikun Atsawintarangkul at FreeDigitalPhotos.net

OK, friends, I could use your help again with content for my Song of the Ocarina novel. My heroine Lark has two bodyguards, Leif and Sonny, who Roshambo to decide who must carry Lark’s shopping packages. They each smack their palm twice and, on the third beat, open into a representative hand symbol. What symbols/hand gestures would these Noble Fae use?

In the U.S. we use these:

  • Rock (breaks scissors) with fist
  • Paper (covers rock) with flat palm
  • Scissors (cuts paper) with middle and index fingers extended like a peace sign

Consider:

  • My characters reside within the country of Zealynd (on a different plane, but the same geographical location as New Zealand in the human realm).
  • The fae are attuned to nature, magic, and animals.
  • They are influenced by the Maori culture.

So, maybe my fae could use fern leaves, daggers and stones? Or something more creative? What can you suggest?

In the comments below, suggest a set of symbols and hand gestures for my fae to use for this game in the realm of Delfaerune. If I use your suggestion, I’ll include your name in the Acknowledgements page of my published novel. 🙂

Fae react to iPod, in “Song of the Ocarina” excerpt

Lark and her ever-present iPod, as illustrated by John Taylor.

Lark and her ever-present iPod, as illustrated by John Taylor.

The first time I heard about an iPod, I thought, “Great. Another electronic contraption I’ll need to manage.” [sigh] Really. I could not wait not to have one. Of course, now that I understand how the elegant and useful device truly serves me, it never leaves my side.

In the first book in my Delfaerune Rhapsody series of young-adult novels, Song of the Ocarina, my heroine Lark Tūrehu (pronounced “to-are-air-who) introduces the concept of an iPod to her sister B’rook. Here’s a book excerpt showing her reaction:

Lark’s heightened emotion pushed all thoughts from her mind, and she suddenly blanked on how to start this conversation with her sister. Reaching for calm, she merged her energy with one of the ripples on the pond, now smoothing after its choreographed orchestration. The bright flare in her aura settled it into a calm glow. With a deep breath, she reached down to turn off her iPod.

“What the heck is that thing, Lark? You’ve had it on both times I’ve seen you since I got back. Another human habit you can’t quite get rid of?”

Lark touched the iPod attached to her waistband, and smiled begrudgingly.

“Actually, you’re right, B’rook. This is an iPod, an electronic music player. It goes with me everywhere now. I can pull up any song I want, from any of my favorite artists, at any time, as long as I’ve loaded them into this device.”

B’rook frowned, but with interest. She probably wanted to hate it, but couldn’t get past her weakness for human rock music, which the girls had developed as small children in their tutored Human Culture class.

“Beatles?”

“Yes.”

“Van Halen?”

Lark nodded, smiling. “Even Linkin Park.”

B’rook’s gaze devoured the device.

“Here, give it a try.” Lark held out the ear buds to her sister, who placed them in her ears. Lark dialed up “Faint,” her sister’s favorite Linkin Park song, wondering if B’rook’s eyes could widen any further.

After a few moments, B’rook grinned and returned the earbuds. “I may just have to pick me up one of those.”

“In the meantime, sis’, I have something to distract you.”

“Oh?”

“In honor of our return, and the successful retrieval of the Sacred Pākiri drum, our Magistra of Glamour and Administrator of Protocol are planning a masquerade ball.”

How did/would you react the first time you saw an iPod work?

Mikk Stone, Final Reveal (#5)

Delfaerune Rhapsody series’
full character profile of antagonist
Mikk Stone.

Debut of Delfaerune Rhapsody antagonist Mikk Stone, by John Taylor.

Debut of Delfaerune Rhapsody antagonist Mikk Stone, by John Taylor.

Age: 22

Stature: 6’9” tall

Race:
A Dark Fae—the tall, wingless, magical people sometimes called “Rotters” by their Noble Fae cousins in Delfaerune.

Residence:
Mikk lives on a plane parallel to Queenstown, New Zealand, in the fae land of Delfaerune.  There —in Queens’tyn, Zealynd—extinct and mythical creatures thrive, sentient foliage energize the Noble Fae, and speaking animals lend magical glamour to the Dark Fae. His current home is a cave with an every-day mosh pit concert.

Family:
Born to a well-known Dark Fae family, Mikk is the older brother to Noel who abandoned his family to join the Noble Fae. He works to magically control his brother, who defected to the Noble Fae to teach music to the future Maestra.

Job:
He’s a drummer in a band, but would rather jam and party with his friends than actually find gigs where he can play as a drummer. Power-hungry Mikk leads a group of Dark Fae in a subversive scheme to take over the human realm.

Strengths: Musical skill and powerful glamour (magic)

Flaw: Self-centered and egotistic

Quirk: Loves human rock stars, and emulates them

Animal familiar: “Eddy,” a young silver dragon (extinct in the human realm)

Love interest: Mikk likes to hang out with his groupies.

…………………………………………………

Mikk Stone is the young Dark Fae antagonist in the Delfaerune Rhapsody series—my young-adult, fantasy-adventure trilogy-in-progress. His story begins in Song of the Ocarina, the first book in the series, due out in late 2013.

Watch in the coming days for more character information about the trilogy. Also watch Facebook, Twitter and LinkedIn.

Back to Reveal #4             To Noel Stone Final Reveal           To Lark Tūrehu Final Reveal

Mikk Stone, Reveal #4

Can you tell from John Taylor's partial image Mikk is the story's antagonist?

Can you tell from John Taylor‘s partial image Mikk is the story’s antagonist?

Reveal #4: Mikk’s band of troublemakers stole forbidden magical spellbooks from the Delfaerune leadership, and their misuse is unbalancing the worlds.

All of Mother Earth’s realms—including humans, fae and “extinct” animals like the moa, dragons and phoenix—become endangered by Mikk’s attempt to use dark spells.

The Dark Fae plans unfold in Song of the Ocarina — the first book in my young-adult fantasy adventure series — due out in late 2013.

Watch for more character image reveals this week of Mikk here in my blog, and also in my Facebook, Twitter and LinkedIn feeds.

Back to Reveal #3                                          To Reveal #5